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Specifically, it’s Conrad Yama portraying the titular Chinese leader and Peck cast as John Hathaway, a Nobel Prize-winning professor sent by a mix of U.S., British and Soviet government leaders to Communist China to steal the formula for an agricultural breakthrough. Less successful - though not without its own points of interest - is The Chairman, which includes the sight of Gregory Peck playing ping-pong with Mao Tse-tung.
Keye Luke and Gregory Peck in The Chairman (Photo: Twilight Time) Miller have nevertheless constructed an interesting drama that’s particularly buoyed by the scenes pitting the beliefs of the bitter freedom fighter against those held by the sensitive priest. With its thick-as-molasses European politics, it’s easy to see why American audiences largely chose to ignore the film, but director Fred Zinnemann and scripter J.P.
Caught in the middle of their skirmish is an earnest priest named Francisco (Sharif), while serving as Manuel’s conscience is the little boy Paco (Marietto Angeletti).
Set two decades after the end of the Spanish Civil War that left the fascistic Franco regime in charge, the picture details the cat-and-mouse struggle between Captain Viñolas (Quinn), a celebrated officer in Franco’s army, and Manuel Artiguez (Peck, appropriately more gruff and guttural than usual), an exiled freedom fighter who considers returning to his homeland to assassinate his old nemesis. Reuniting The Guns of Navarone co-stars Peck and Anthony Quinn (as well as Lawrence of Arabia co-stars Quinn and Omar Sharif), Behold a Pale Horse is adapted from Killing a Mouse on Sunday, a 1961 novel penned by filmmaker Emeric Pressburger (yes, he of Powell-Pressburger / The Archers fame). Among these commercial and (usually) critical failures were such efforts as the heavily edited Mackenna’s Gold, the Oscar-winning (for its visual effects) Marooned, and two titles recently released through the Twilight Time label.
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Unfortunately, his career declined after Mockingbird, with only a few minor hits (1963’s Captain Newman, M.D., 1966’s Arabesque, 1978’s The Boys from Brazil) and one major smash (1976’s The Omen) strewn throughout his final 15 starring features (after these ended in 1980, he was only found in cameos, supporting roles, and TV projects).
#Behold a pale horse 1964 trailer movie#
Of the 34 motion pictures Gregory Peck made between 1944’s Days of Glory (his film debut) and 1962’s To Kill a Mockingbird (the movie for which he finally won his Best Actor Oscar, after four previous nominations), 19 of them were among their respective years’ top 20 moneymakers, an enviable percentage that spoke well for his longevity in that cutthroat business.
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Wisely, the focus is instead on the human (and alien) element, with many of the series stars (particularly Johansson) turning in some of their best work.īlu-ray extras include audio commentary by directors Anthony and Joe Russo a tribute to Stan Lee deleted scenes and a gag reel.Īnthony Quinn and Gregory Peck in Behold a Pale Horse (Photo: Twilight Time)īEHOLD A PALE HORSE (1964) / THE CHAIRMAN (1969). Those looking for the usual repetitive fight sequences that often clog the pores of superhero flicks will be disappointed, since there’s truly only one gargantuan battle royale. (And let’s not forget the various plotholes, ones prominent enough to make me consider dropping the rating a half-star.) But what matters most - and what elevates the entire picture - are the emotional beats. Certainly, there are some expected character beats, some predictable visual cues, some anticipated speechifying. To say that Avengers: Endgame is a movie of many surprises is putting it mildly. But here comes Captain Marvel (Brie Larsen) to save the day - and the universe! Right? Well, not exactly. As we saw in Avengers: Infinity War, Thanos (Josh Brolin) wiped out 50 percent of the universe’s population, with the original Avengers Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Black Widow (Scarlett Johansson), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), and Hawkeye (Jeremy Renner) feeling the weight of their failure. Yet while there are at least a dozen super-sagas superior to this one, it nevertheless ranks among the upper echelons of this particularly robust genre. It’s possibly the most expensive superhero movie.
Is it the best superhero movie ever made? In the immortal words of Balki Bartokomous, “Don’t be ridiculous.” It’s the longest superhero movie. As the culmination of the initial Marvel Cinematic Universe odyssey, Avengers: Endgame is a staggering achievement, as impressively linked in its world-building and its myth-making as the Harry Potter and Lord of the Rings films. Ratings are on a four-star scale.) Chris Evans in Avengers: Endgame (Photo: Marvel)ĪVENGERS: ENDGAME (2019). (View From The Couch is a weekly column that reviews what’s new on Blu-ray and DVD. Gregory Peck in The Chairman (Photo: Twilight Time)
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